APPLICATION OF M.M. BAKHTIN’S POETICS IN LITERARY RESEARCH - CRITICISM IN VIETNAM FROM CONCEPTUAL LEVEL
DOI:
https://doi.org/10.51453/2354-1431/2020/407Keywords:
M.M. Bakhtin, poetics, conceptual level, literary research - criticism, VietnamAbstract
M.M. Bakhtin had a great influence on the history of modern poetics in the world. From the 1980s onwards, the adoption of Bakhtin’s poetics was of great significance, contributing to the development of poetics in Vietnam in nearly four decades. This paper presents a systematic view of the application of Bakhtin’s concepts of poetics in literary research - criticism in Vietnam, giving some assessments and suggestions for the application of Bakhtin in the future.
Downloads
References
[1] M.M. Bakhtin (1998), Problems of Dostoievski's Poetry, Tran Dinh Su, Lai Nguyen An & Vuong Tri Nhan Translating, Writers Association Publishing House, Hanoi.
[2] M.M. Bakhtin (2006), Writing of François Rabelais and folklore of the Middle Ages and Renaissance, translated by Tu Thi Loan, Social Science Publishing House, Hanoi.
[3] Dao Duy Hiep (2008), Literary criticism from modern theory, Educational Publishing House, Hanoi.
[4] Duong Thi Anh Tuyet (2008), "The carnaval nature in Mark Twain's laughter", Journal of Literary Researches, No. 4, p.96-108.
[5] Tran Nhat Thu (2008), "The Carnaval’s Mark in Boccatio's Ten-Day Story", source: http://www.tapchisonghuong.com.vn/tap-chi/c96/n550/Da-uan-Carnaval -ho-a-in-n-muo-i-nga-y-cu-a-Boccatio.html, updated: May 20, 2018.
[6] Phan Trong Hoang Linh (2014), "Art space and time in Cervantes' novel Don Quixote - from folk satirical theory", Journal of Science and Technology, University of Hue Science, no.2, p.37-46.
[7] Pham Vinh Cu (2007), Creation and exchange, Educational Publishing House, Hanoi.
[8] Pham Vinh Cu (2009), "Trying to acknowledge Gogol's world of art", Foreign Literature Magazine, No. 5, pp.89-129.
[9] On Thi My Linh (2008), "The grotesque in portrayal of Oe Kenzaburo's character (through the novel A Personal Pain)", Journal of Literary Studies, No. 3, p.88 -97.
[10] Nguyen Thi Nhu Trang (2016), Artist and Margarita (M. Bulgacov) and characters of the legendary twentieth century, Hanoi National University Publishing House , Hanoi.
[11] Nguyen Thi Tinh Thy (2013), Mac Ngon Autobiography, Literature Publishing House, Hanoi.
[12] Do Duc Hieu (2000), Modern Poetry, Writers Association Publishing House, Hanoi.
[13] Vu Thi Thanh Hoai (2017), "Carnavalization" in contemporary Vietnamese novels, Journal of Literary Researches, No. 8, pp.73-84.
[14] Phan Tuan Anh (2015), "Practice poetry as a practice living - Ho The Ha - a playing experience", Song Huong Magazine, No. 11, pp.60-65.
[15] Phan Tuan Anh (2019), Innovative Vietnamese literature - from reference points of view, Culture Publishing House, Ho Chi Minh City.
[16] Phung Gia The (2016), Signs of Postmodernism in Contemporary Vietnamese Prose (1986-2012), Hanoi National University Publishing House, Hanoi.
[17] Huynh Thu Hau (2018), Grotesque Art in Vietnamese Fiction, Writers Association Publishing House, Hanoi.
[18] Dang Anh Dao (editor) (1999), Western Literature, Educational Publishing House, Hanoi.
[19] Thanh Đuc Hong Ha (2017), Poetry of prose A.S. Pushkin, National University Publishing House, Hanoi.
[20] Tran Dinh Su (1996), Theory and literary criticism, Educational Publishing House, Hanoi.
[21] Thai Phan Vang Anh (2017), Vietnamese Novel at the beginning of the twenty-first century - A game changer, Hue University Publishing House, Hue.
[22] Le Huy Bac (2019), Symbols and symbols, Ho Chi Minh Synthetic General Publishing House, Ho Chi Minh City.
[23] Le Thi Thuy Hang (2016), Principle of dialogue in Vietnamese fictions from 1986 to 2010 (Doctoral thesis in Literature), Hue University, Hue.
Nguyen Dang Diep (2003), Vong from the word, Literature Publishing House, Hanoi.
[25] Nguyen Thuy Trang (2017), "Dialogicality - How to connect with the natural world in contemporary Vietnamese fictions", Journal of Literary Researches, No. 3, p.32-37.
[26] Mai Hai Oanh (2009), Art Innovations in Contemporary Vietnamese Fiction, Writers Association Publishing House, Hanoi.
[27] Dang Anh Dao (2007), Vietnam and the West - received and interfered in literature, Educational Publishing House, Hanoi.
[28] Nguyen Thi Binh (2015), Vietnamese Prose after 1975, Hanoi Pedagogical University Publishing House.
[29] Hoang Cam Giang (2015), Vietnamese Novels in the early twenty-first century - structure and trends, National University Publishing House, Hanoi.
[30] Nguyen Thi Hai Phuong (2016), Contemporary Vietnamese Novels - from the perspective of discourse, Vietnamese Educational Publishing House, Hanoi.
[31] Tran Viet Thien (2016), Interaction genre in contemporary Vietnamese prose, Ho Chi Minh National University Publishing House, Ho Chi Minh City.
[32] La Nguyen (2018), Semantics review, Women Publishing House, Hanoi.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
All articles published in SJTTU are licensed under a Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA) license. This means anyone is free to copy, transform, or redistribute articles for any lawful purpose in any medium, provided they give appropriate attribution to the original author(s) and SJTTU, link to the license, indicate if changes were made, and redistribute any derivative work under the same license.
Copyright on articles is retained by the respective author(s), without restrictions. A non-exclusive license is granted to SJTTU to publish the article and identify itself as its original publisher, along with the commercial right to include the article in a hardcopy issue for sale to libraries and individuals.
Although the conditions of the CC BY-SA license don't apply to authors (as the copyright holder of your article, you have no restrictions on your rights), by submitting to SJTTU, authors recognize the rights of readers, and must grant any third party the right to use their article to the extent provided by the license.