DECORATIVE TOPIC IN THE ART OF CARVING AND WOOD PAINTINGS AT HUNG LO TEMPLE
DOI:
https://doi.org/10.51453/2354-1431/2021/479Keywords:
Decorative topics, carvings, color painting on wooden planks, Hung Lo temple, Viet Tri city, Phu Tho provinceAbstract
Hung Lo temple is one of the large temples with historical and artistic value for a long time in Viet Tri City, Phu Tho province. Here, carving techniques, as well as color painting on wooden planks, are considered as the soul of the ancient temple dating back to 1697 (late 17th century). Unlike temples in the whole province, Hung Lo temple, besides the use of decorative motifs of nature and mascot animals for decoration, the use of human scenes in festive occasions, dance, folk themes, villages are carved mainly on the kẻ, cốn and đầu dư as a theme throughout, contributing to shaping a pure Vietnamese decoration style for the temple, creating a distinctive and diverse beauty in Vietnamese folk decoration art.
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[1] Department of Culture and Information - Phu Tho (Provincial Museum) (2003), Introduction to the population of cultural and historical relics of Xom temple - Hung Lo commune.
[2] Tan, H.V., Ku, N.V. (2014). Vietnam’s temple, Social Science Publishing House, Hanoi.
[3] Tuan, T.D. (2012). Human image in temple carvings in the Red River Delta region, Dissertation of Theory and History of Fine Arts, Vietnam National Institute of Culture and Arts Studies.
[4] Institute of Fine Arts (1975). Vietnam folk sculpture – 16th – 17th – 18th centuríe, Foreign Language Publishing House - Hanoi.
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